122 Bicinia

• Composer: SOOS, Andras
• Arranger:
• Publisher: EMB
• Author of the text:
• Text arranger:
• Type of Choir: Various
• Number of Voice Parts: 2
• Voicing: SA
• Accompaniment: A Cappella
• Language 1: Latin
• Language 2:
• Duration:
• Page: 80
• Artist:

Song List

Song Details

1. Missa super Je suis desheritee - Kyrie (Parallel and contrary motion)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
2. Missa super Si rore aenio - Kyrie (Parallel motion with ornamentation)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
3. Missa super Si rore aenio - Kyrie (Decreasing rhythm values)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
4. Missa super Domine secundum actum meum - Kyrie (Imitation at the fifth above)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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5. Missa da feria - Kyrie (Missa de feria)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
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6. Missa feria - Kyrie (Imitation in complementary rhythm)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
7. Missa feria - Kyrie (Hidden imitation 2)
   Composer: LASSUS, Orlandus (LASSO, Orlando di)

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
8. Missa sine nomine - Gloria (Imitation with parts moving together 1)
   Composer: PALESTRINA, Giovanni Pierluigi da

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
9. Missa primi toni - Gloria (Imitation with parts moving together 2)
   Composer: PALESTRINA, Giovanni Pierluigi da

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   Type of Choir: 2

   Voicing: 2 voices

   Accompaniment: A Cappella

   Language 1: Latin

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   Duration:
   
   
10. Missa sine nomine - Gloria (Imitation with parts moving together 3)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

    Language 2:

    Duration:
    
    
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11. Missa super Laudate Dominum - Gloria (Parts moving together)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

    Language 2:

    Duration:
    
    
12. Missa sine nomine - Gloria (Imitation with parts moving together 4)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
13. Missa super Quand'io pens'al martire - Gloria (Imitation at the fifth below 1)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
14. Missa super Laudate Dominum - Gloria (Imitation at the fifth below 2)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

    Language 2:

    Duration:
    
    
15. Missa sine nomine - Gloria (Parallel motion)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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16. Missa super Laudate Dominum - Gloria (Imitation with scale motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
17. Missa de Beata Virgine - Gloria (Imitation at the fouth with sequence)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
18. Missa ad imitationem moduli O passi sparsi - Gloria (Repeated motifs with variations)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
19. Missa ad imitationem moduli Puisque i'ay perdu - Gloria (Imitation with sequence)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
20. Missa super Quand'io pens'al martire - Gloria (Imitation with scale motifs 1)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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21. Missa super Locutus sum - Gloria (Imitation with scale motifs 2)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
22. Missa brevis - Credo (Parallel motion)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
23. Missa Inviolata - Credo (Imitation with scale motifs 1)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
24. Missa super In die tribulationis - Credo (Imitation with scale motifs 2)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
25. Missa super Laudate Dominum - Credo (Imitation at the octave with paralell sixths)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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26. Missa brevis - Credo (Paralell and contrary motion)
    Composer: GABRIELI, Andrea

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
27. Missa de Beata Virgine (Imitation at decreasing intervals)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

    Language 2:

    Duration:
    
    
28. Missa super Quand'io pens'al martire - Credo (Imitation with scale motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
29. Missa super Pilons pilons lorge - Credo (A broken triad as head-motif)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
30. Missa sine nomine - Credo (Parts mpving together)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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31. Missa primi toni - Credo (Imitation at the fifth above)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
32. Missa super Je prens en gres - Credo (Mutual imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
33. Missa super Dixit Joseph - Credo (Imitation at the fourth below)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
34. Missa super Io son ferito ahi lasso - Credo (Imitation at the fifth below)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
35. Missa super Sidus ex claro - Credo (Contrary motion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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36. Missa super Ite rime dolenti - Credo (Mirror imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
37. Missa Je suis desheritee - Credo (Rapidly moving scale motifs)
    Composer: GOMBERT, Nicolas

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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38. Missa En espoir - Credo (Imitation and counterpoint)
    Composer: CLEMENS NON PAPA, Jacobus

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
39. Missa ad imitationem moduli Puisque i'ay perdu - Credo (Mirror imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
40. Missa super Je ne mange poinct de porcq - Credo (Imitation with folk dance rhythm 1)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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41. Missa super Frere Thibault - Credo (Imitation with folk dance rhythm 2)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
42. Missa super Quand'io pens'al martire - Credo (Canon at the fifth)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
43. Missa primi toni - Credo (Imitation with sequence)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
44. Missa Jam Christus astra ascenderat - Credo (Imitation at the fifth below)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
45. Missa L'homme arme - Credo (Thirds and sixths)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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46. Missa super Qual donna attende - Credo (Parallel thirds)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
47. Missa in duplicibus minoribus - Credo (Gregorian melody with imitation at the fourth above)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
48. Missa primi toni - Credo (Parallel thirds above)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
49. Missa primi toni - Credo (Parallel thirds below)
    Composer: PALESTRINA, Giovanni Pierluigi da

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
50. Missa super In die tribulationis - Credo (Parallel and mirror motion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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51. Missa super On me l'a dict - Sanctus (Complementary sequences)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
52. Missa de feria in Quadragesima - Sanctus (Imitation with Gregorian motif)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
53. Missa de feria in Quadragesima - Sanctus (Gregorian cantus firmus with fast-moving counterpoint)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
54. Missa Je suis desheritee - Sanctus (Fast-moving scale motifs)
    Composer: GOMBERT, Nicolas

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
55. Missa Virtute magna - Sanctus (Imitation with scale motifs)
    Composer: CLEMENS NON PAPA, Jacobus

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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56. Missa En espoir - Sanctus (Imitation with repeated motifs)
    Composer: CLEMENS NON PAPA, Jacobus

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
57. Missa Ave maris stella - Sanctus (Cantus firmus in both parts)
    Composer: MORALES, Cristobal de

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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58. Missa Da pacem - Sanctus (Short motifs with dotted rhythms)
    Composer: GOMBERT, Nicolas

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
59. Missa super Je prens en gres - Sanctus (Imitation with transposed motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
60. Missa super Je prens en gres - Benedictus (Imitation in inversion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

    Voicing: 2 voices

    Accompaniment: A Cappella

    Language 1: Latin

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    Duration:
    
    
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61. Missa da feria - Benedictus (Imitation of short motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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62. Missa ad imitationem moduli Jager - Benedictus (Imitation in inversion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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63. Missa super Il me suffit - Benedictus (Imitation with sequence)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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64. Missa super Laudate Dominum - Benedictus (Monothematic imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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65. Missa Da pacem - Agnus Dei (Mutual imitation)
    Composer: GOMBERT, Nicolas

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    Language 1: Latin

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66. Magnificat I. toni (Modal melody with complementary rhythms)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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67. Magnificat I. toni (Scales and jumps)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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68. Magnificat I. toni (Parallel and contrary motion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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69. Magnificat II. toni (Ornamented modal melody in both parts)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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70. Magnificat III. toni (Imitation of repeated modal motifs)
    Composer: CLEMENS NON PAPA, Jacobus

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    Accompaniment: A Cappella

    Language 1: Latin

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71. Magnificat IV. toni (Modal melody with imitative counterpoint 1)
    Composer: SERMISY, Claude De

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    Accompaniment: A Cappella

    Language 1: Latin

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72. Magnificat VIII. toni (Modal melody with imitative counterpoint 2)
    Composer: SERMISY, Claude De

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    Language 1: Latin

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73. Magnificat V. toni (Imitation of a melody with internal extension)
    Composer: CLEMENS NON PAPA, Jacobus

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    Language 1: Latin

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74. Magnificat VI. toni (Diminished imitative counterpoint)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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75. Magnificat VI. toni (Imitation in various intervals)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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76. Magnificat VII. toni (Hidden modal melody with counterpart)
    Composer: CLEMENS NON PAPA, Jacobus

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    Language 1: Latin

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77. Magnificat II. toni (Echo imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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78. Magnificat II. toni (Imitation with varied repetition)
    Composer: CLEMENS NON PAPA, Jacobus

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    Accompaniment: A Cappella

    Language 1: Latin

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79. Magnificat IV. toni (Imitation with transposed motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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80. Magnificat V. toni (Modal melody with counterpart and imitation 1)
    Composer: GOMBERT, Nicolas

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    Accompaniment: A Cappella

    Language 1: Latin

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81. Magnificat VI. toni
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Language 1: Latin

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82. Magnificat VII. toni (Sequence and echo imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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83. Magnificat VIII. toni (Imitation and scale motifs in parallel and contrary motion)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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84. Magnificat I. toni (Imitation in parallel and mirror motion 1
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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85. Magnificat III. toni (Imitation in parallel and mirror motion 2)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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86. Magnificat IV. toni (Modal melody with ornamented imitative counterpoint)
    Composer: SERMISY, Claude De

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    Accompaniment: A Cappella

    Language 1: Latin

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87. Magnificat V. toni (Echo imitation)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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88. Magnificat V. toni (Imitation of a modal melody with complementary rhythms)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

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    Accompaniment: A Cappella

    Language 1: Latin

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89. Magnificat V. toni (Imitation in various intervals)
    Composer: CLEMENS NON PAPA, Jacobus

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    Accompaniment: A Cappella

    Language 1: Latin

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90. Magnificat VI. toni (Transposed and varied internal repetitions)
    Composer: CLEMENS NON PAPA, Jacobus

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    Accompaniment: A Cappella

    Language 1: Latin

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91. Magnificat VII. toni (Imitation of short motifs)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Type of Choir: 2

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    Accompaniment: A Cappella

    Language 1: Latin

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92. Magnificat VIII. toni (Modal melody in canon)
    Composer: SERMISY, Claude De

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    Accompaniment: A Cappella

    Language 1: Latin

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93. Passio secundum Matthaeum (Imitation of recitative motifs)
    Composer: VICTORIA, Tomas Luis de

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94. Passio secundum Matthaeum (Simple scale imitation 1)
    Composer: VICTORIA, Tomas Luis de

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    Language 1: Latin

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95. Passio secundum Matthaeum (Simple scale imitation 2)
    Composer: VICTORIA, Tomas Luis de

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    Language 1: Latin

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96. Lauda Sion (Gregorian cantus firmus with thematic counterpoint 1)
    Composer: LASSUS, Orlandus (LASSO, Orlando di)

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    Accompaniment: A Cappella

    Language 1: Latin

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97. Adjutorium nostrum (Gregorian cantus firmus with thematic counterpoint 2)
    Composer: DIETRICH, Sixtus

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    Language 1: Latin

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98. Laudabo Deum (Imitation with parallel and contrary motion 1)
    Composer: DIETRICH, Sixtus

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99. Deo nostro jocunda (Imitation with parallel and contrary motion 2)
    Composer: DIETRICH, Sixtus

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100. Portio mea (Counterpoint with scale motifs)
     Composer: DIETRICH, Sixtus

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101. Benedictus (Imitation and sequence)
     Composer: DIETRICH, Sixtus

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102. Tu es pastor ovium (Imitation at the fifth below 1)
     Composer: PALESTRINA, Giovanni Pierluigi da

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103. Tu es Petrus (Imitation at the fifth below 2)
     Composer: PALESTRINA, Giovanni Pierluigi da

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104. Illuminare (Imitation at the fifth below 3)
     Composer: RESINARIUS, Balthasar

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105. In toto corde (Short imitations 1)
     Composer: RESINARIUS, Balthasar

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106. Ductus est Jesus (Short imitations 2)
     Composer: RESINARIUS, Balthasar

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107. Verbum caro (Gregorian melody with imitation and counterpoint)
     Composer: RESINARIUS, Balthasar

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108. Viri Galilaei (Parallel and contrary motion 1)
     Composer: PALESTRINA, Giovanni Pierluigi da

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109. Ascendit Deus (Parallel and contrary motion 2)
     Composer: PALESTRINA, Giovanni Pierluigi da

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110. Quem vidistis (Parallel and contrary motion 3)
     Composer: PALESTRINA, Giovanni Pierluigi da

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111. Effuderunt sanguinem (Parallel and contrary motion 4)
     Composer: BYRD, William

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112. O quantus luctus hominum (Homophony in dance rhythm, with exchange of parts)
     Composer: PALESTRINA, Giovanni Pierluigi da

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113. Jesum tradidit (Short imitations 1)
     Composer: PORTA, Costanzo

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114. Astiterunt reges terrae (Short imitations 2)
     Composer: PORTA, Costanzo

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115. Duo Seraphim (Free counterpoint and complementary imitation)
     Composer: VICTORIA, Tomas Luis de

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     Language 1: Latin

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116. Ein Trostlich Lied vom Kindlein Jesu (Hidden chorale)
     Composer: OTHMAYR, Kaspar

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117. Ein Trostlich Lied von der Geburt Christi (Chorale with counterpoint below)
     Composer: OTHMAYR, Kaspar

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118. Ein Danklied (Part moving together)
     Composer: OTHMAYR, Kaspar

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119. Ein Lied von der Zukunft Christi (Imitation in various intervals)
     Composer: Heugel, Johannes

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120. Ein Lobgesang von der Geburt Christi (Chorale with counterpoint above)
     Composer: OTHMAYR, Kaspar

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     Language 1: Latin

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121. Gebet zum Heiligen Geist (Chorale with counterpoint below above)
     Composer: OTHMAYR, Kaspar

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122. Christ ist erstanden (Chorale with ornamented counterpoint)
     Composer: OTHMAYR, Kaspar

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     Language 1: Latin

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