111 Bicinia

111 Bicinia

Panamusica Code: KF2401

Price: 2,300JPY

Qty:
  • Composer:
  • Arranger: SOOS, Andras
  • Publisher: EMB
  • Author of the text:
  • Text arranger:
  • Type of Choir: Various
  • Number of Voice Parts: 2
  • Voicing:
  • Accompaniment: A Cappella
  • Language 1: Latin
  • Language 2:
  • Duration:
  • Page: 88
  • Artist:

Song List

  Title Composer
1 Omnis spiritus laudet Dominum (motet) (Thirds and sixths I) OBRECHT, Jacob
2 Missa Malheur me bat-Kyrie (Thirds and sixths II) OBRECHT, Jacob
3 Credo (Sixths with parallel motion) BRASSART, Johannes
4 Credo (Parallel and contrary motion) BRASSART, Johannes
5 Gloria (Parallel and contrary motion II) LEGRANT, Guillaume
6 Agnus Dei (Parallel and contrary motion III) BINCHOIS, Gilles
7 Missa Hercules dux Ferrariae-Sanctus (Soggetto cavato) Josquin des Prez
8 Credo (Syncopation) DUNSTABLE, John
9 Gloria (Complementary rhythms I) DUNSTABLE, John
10 Credo (Complementary rhythms II) BRASSART, Johannes
11 Credo (Parts together and separated) BOLOGNA, Bartolomeo da
12 Gloria (Variable metre) CICONIA, Johannes
13 Missa Caput-Gloria OCKEGHEM, Johannes
14 Qui habitat in adiutorio (Tractus/Versus) (Plainsong melody with counterpart) ISAAC, Heinrich
15 Requiem-Offertorium/Versus (Equal parts I) OCKEGHEM, Johannes
16 Kyrie (Equal parts II) MARTINI, Johannes
17 Credo (Landini sixth) BINCHOIS, Gilles
18 Missa L'homme arme-Kyrie (Contrary motion) DUFAY, Guillaume
19 Missa L'homme arme (The same head-motif in different movements) DUFAY, Guillaume
20 Missa Ecce ancilla Domini-Gloria (Imitative germs) OCKEGHEM, Johannes
21 Missa Ecce ancilla Domini-Sanctus (Counterpoint with syncopation) OCKEGHEM, Johannes
22 Missa Ecce ancilla Domini-Sanctus (Imitative motive-fragments) OCKEGHEM, Johannes
23 Alleluia Veni Sancte Spiritus-Versus (Plainsong melody with free counterpoint) DUFAY, Guillaume
24 Requiem-Kyrie (a:Cantus firmus in both parts/b:with a counterpart/c:with imitation) OCKEGHEM, Johannes
25 Credo (Cantus firmus with long notes) OCKEGHEM, Johannes
26 Credo (Declamatory cantus firmus) OCKEGHEM, Johannes
27 Credo (Cantus firmus with parallel accompaniment) OCKEGHEM, Johannes
28 Missa Libenter gloriabor-Kyrie (Stress shift at the octave) OBRECHT, Jacob
29 Missa Libenter gloriabor-Credo (Stress shift at the fifth) OBRECHT, Jacob
30 Omnis spiritus laudet Dominum (motet) (Hidden imitation) OBRECHT, Jacob
31 Factor orbis (motet-ParsII) (Imitative beginnings of motifs) OBRECHT, Jacob
32 Missa Ecce ancilla Domini-Credo (Imitation with parallel motion) OCKEGHEM, Johannes
33 Missa Malheur me bat-Gloria (Imitation with contrary motion) OBRECHT, Jacob
34 Missa Ecce ancilla Domini-Credo (Imitation with parallel and contrary motion) OCKEGHEM, Johannes
35 Missa Ecce ancilla Domini-Credo (Short imitated motifs) OCKEGHEM, Johannes
36 Deus, Deus meus, respice in me (Tractus/Versus) (The same melody with different rhythm) ISAAC, Heinrich
37 Missa Ferialis-Agnus Dei (Imitative beginning) MARTINI, Johannes
38 Factor orbis (motet) (Short imitations I) OBRECHT, Jacob
39 Missa La mort de Saint Gothard-Kyrie (Short imitations II)
40 Missa Ecce ancilla Domini-Agnus Dei (A long imitative section) DUFAY, Guillaume
41 Missa Ave Regina caelorum-Credo (Short imitations at the unison and at the octave) DUFAY, Guillaume
42 Missa L'homme arme-Agnus Dei (Imitation with transposed motifs) OBRECHT, Jacob
43 Missa Beata viscera-Credo ("Shadow"-imitation) OBRECHT, Jacob
44 Missa Beata viscera-Credo (Imitation and sequence) OBRECHT, Jacob
45 Missa La sol fa re mi-Sanctus (Transposed repetition of a motif) Josquin des Prez
46 Missa La sol fa re mi-Sanctus (Varied transpositions of a motif) Josquin des Prez
47 Missa L'homme arme-Gloria (Canon at the unison) BUSNOYS, Antoine
48 Missa L'homme arme-Kyrie (a:Canon at the lower octave/b:Canon at the upper octave) BUSNOYS, Antoine
49 Missa Mater Patris-Kyrie (a:Canon/b:Canon and sequence/c:Canon with repetition of a motif) Josquin des Prez
50 Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth) BRUMEL, Antoine
51 Missa Descendi in hortum-Agnus Dei (Canon at the upper fifth) BRUMEL, Antoine
52 Missa Ave Regina caelorum-Gloria (Canon at the upper octave) OBRECHT, Jacob
53 Missa Ave Regina caelorum-Gloria (Descending sequence as a canon) OBRECHT, Jacob
54 Missa Beata viscera-Gloria (Canon at the upper fifth) OBRECHT, Jacob
55 Missa Beawta viscera-Gloria (Ascending sequence as a canon) OBRECHT, Jacob
56 Missa Dominicalis-Gloria (Plainsong melody as a canon I) MARTINI, Johannes
57 Missa Dominicalis-Gloria (Plainsong melody as a canon II) MARTINI, Johannes
58 Missa Ecce ancilla Domini-Sanctus (Decreasing imitation ivtervals) DUFAY, Guillaume
59 Missa Ecce ancilla Domini-Credo (Imitation with complementary rhythms) DUFAY, Guillaume
60 Missa Petrus Apostolus-Kyrie (Mensuration canon at the fifth) OBRECHT, Jacob
61 Missa L'homme arme-Sanctus (Mensuration canon at the unison) Josquin des Prez
62 Missa L'homme arme-Sanctus (Mensuration canon at the unison) Josquin des Prez
63 Missa L'homme arme-Sanctus (Mensuration canon at the unison) Josquin des Prez
64 Missa Ecce ancilla Domini-Credo (Different possibilities of imitation) DUFAY, Guillaume
65 Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth) BRUMEL, Antoine
66 Missa Malheur me bat-Gloria (Imitatio with syncopation) AGRICOLA, Alexander
67 Vasilissa ergo gaude (The introductory canon section of an isorhythmic motet) DUFAY, Guillaume
68 Missa Beata viscera-Agnus Dei (A long canon at the fifth) OBRECHT, Jacob
69 Missa Adieu mes amours-Kyrie (Sequence as an augmented canon) OBRECHT, Jacob
70 Missa Sancti Jacobi-Kyrie (Crossing of parts) DUFAY, Guillaume
71 Missa Cancti Jacobi-Gloria (Crossing of pars with pauses) DUFAY, Guillaume
72 Missa Sancti Jacobi-Sanctus (Variable metre) DUFAY, Guillaume
73 Missa Sancti Jacobi-Agnus Dei (Accumulated syncopation) DUFAY, Guillaume
74 Missa Ave Regina caelorum-Kyrie (Free counterpoint with internal imitationsI) DUFAY, Guillaume
75 Missa Ave Regina caelorum-Gloria (Free counterpoint with internal imitations II) DUFAY, Guillaume
76 Missa Ave Regina caelorum-Gloria (Imitation at changing metre) DUFAY, Guillaume
77 Ave Regina caelorum (motet) (The same melody with different counterparts I) DUFAY, Guillaume
78 Missa Caput-Sanctus (The same melody with different counterparts II) OBRECHT, Jacob
79 Missa O lumen ecclesiae-Kyrie (The same melody in different movements I) OBRECHT, Jacob
80 Missa O lumen ecclesiae-Gloria (The same melody in different movements II) OBRECHT, Jacob
81 Missa O lumen ecclesiae-Credo (The same melody in different movements III) OBRECHT, Jacob
82 Missa Se la face ay pale-Kyrie (Parallel and contrary motion with syncopation) DUFAY, Guillaume
83 Missa Se la face ay pale-Gloria (The head-motif of the mass) DUFAY, Guillaume
84 Missa Se la face ay pale-Credo (The head-motif with imitation) DUFAY, Guillaume
85 Missa Se la face ay pale-Sanctus (Complementary rhythms) DUFAY, Guillaume
86 Missa Se la face ay pale-Agnus Dei (Free counterpoint and imitation) DUFAY, Guillaume
87 Sanctus-Ave verum corpus (tropus) (Dialogue of equal parts) DUFAY, Guillaume
88 Missa Caput-Kyrie (Free counterpoint with syncopation)
89 Missa Caput-Kyrie (Mass movements with the same beginning I)
90 Missa Caput-Gloria (Mass movements with the same beginning II)
91 Miss Caput-Sanctus (Mass movements with the same beginning III)
92 Missa Caput-Sanctus (Mass movements with the same beginning IV)
93 Missa Caput-Agnus Dei (Mass movemn\ents with the same beginning V)
94 Missa L'homme arme-Sanctus (Imitation at changing metre) DUFAY, Guillaume
95 Magnificat (Imitation and sequence) COMPERE, Loyset
96 Miss La mort de Saint Gothard-Gloria (Canon and imitation)
97 Missa La mort de Saint Gothard-Sanctus (Short imitated motifs I)
98 Missa La mort de Saint Gothard-Sanctus (Short imitated motifs II)
99 Missa de Sancto Donatiano-Credo (Imitation and counterpoint) OBRECHT, Jacob
100 Missa de Sancto Donatiano-Agnus Dei (Imitation and sequence) OBRECHT, Jacob
101 Psalmus 148:Laudate Dominum de caelis ("Shadow"-canon) BRUMEL, Antoine
102 Missa Mater Patris-Sanctus (Canon and sequence) Josquin des Prez
103 Missa Mater Patris-Agnus Dei (Canon with scales and octave leaps) Josquin des Prez
104 Missa In myne Zyn-Agnus Dei (Small note values) AGRICOLA, Alexander
105 Benedictus (Virtuosic sections of imitation) BRUMEL, Antoine
106 Benedictus("Fuga ex una") (Canon) BRUMEL, Antoine
107 Alma Redemptoris Mater (Accumulated syncopes) DUNSTABLE, John
108 Alma Redemptoris Mater (Virtuosic upper part) POWER, Leonel
109 Salve Regina (motet/tropus I) POWER, Leonel
110 Salve Regina (motet/tropus II) POWER, Leonel
111 Salve Regina (motet/tropus III) POWER, Leonel

Song Details

  1. Omnis spiritus laudet Dominum (motet) (Thirds and sixths I)
    Composer: OBRECHT, Jacob
    Arranger:
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  2. Missa Malheur me bat-Kyrie (Thirds and sixths II)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  3. Credo (Sixths with parallel motion)
    Composer: BRASSART, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  4. Credo (Parallel and contrary motion)
    Composer: BRASSART, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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    Duration:

  5. Gloria (Parallel and contrary motion II)
    Composer: LEGRANT, Guillaume
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  6. Agnus Dei (Parallel and contrary motion III)
    Composer: BINCHOIS, Gilles
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  7. Missa Hercules dux Ferrariae-Sanctus (Soggetto cavato)
    Composer: Josquin des Prez
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  8. Credo (Syncopation)
    Composer: DUNSTABLE, John
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  9. Gloria (Complementary rhythms I)
    Composer: DUNSTABLE, John
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  10. Credo (Complementary rhythms II)
    Composer: BRASSART, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  11. Credo (Parts together and separated)
    Composer: BOLOGNA, Bartolomeo da
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  12. Gloria (Variable metre)
    Composer: CICONIA, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  13. Missa Caput-Gloria
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  14. Qui habitat in adiutorio (Tractus/Versus) (Plainsong melody with counterpart)
    Composer: ISAAC, Heinrich
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  15. Requiem-Offertorium/Versus (Equal parts I)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
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    Accompaniment: A Cappella
    Language 1: Latin
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  16. Kyrie (Equal parts II)
    Composer: MARTINI, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  17. Credo (Landini sixth)
    Composer: BINCHOIS, Gilles
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  18. Missa L'homme arme-Kyrie (Contrary motion)
    Composer: DUFAY, Guillaume
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  19. Missa L'homme arme (The same head-motif in different movements)
    Composer: DUFAY, Guillaume
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  20. Missa Ecce ancilla Domini-Gloria (Imitative germs)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  21. Missa Ecce ancilla Domini-Sanctus (Counterpoint with syncopation)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  22. Missa Ecce ancilla Domini-Sanctus (Imitative motive-fragments)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  23. Alleluia Veni Sancte Spiritus-Versus (Plainsong melody with free counterpoint)
    Composer: DUFAY, Guillaume
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  24. Requiem-Kyrie (a:Cantus firmus in both parts/b:with a counterpart/c:with imitation)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  25. Credo (Cantus firmus with long notes)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  26. Credo (Declamatory cantus firmus)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  27. Credo (Cantus firmus with parallel accompaniment)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  28. Missa Libenter gloriabor-Kyrie (Stress shift at the octave)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  29. Missa Libenter gloriabor-Credo (Stress shift at the fifth)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  30. Omnis spiritus laudet Dominum (motet) (Hidden imitation)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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  31. Factor orbis (motet-ParsII) (Imitative beginnings of motifs)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  32. Missa Ecce ancilla Domini-Credo (Imitation with parallel motion)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  33. Missa Malheur me bat-Gloria (Imitation with contrary motion)
    Composer: OBRECHT, Jacob
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  34. Missa Ecce ancilla Domini-Credo (Imitation with parallel and contrary motion)
    Composer: OCKEGHEM, Johannes
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
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    Duration:

  35. Missa Ecce ancilla Domini-Credo (Short imitated motifs)
    Composer: OCKEGHEM, Johannes
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  36. Deus, Deus meus, respice in me (Tractus/Versus) (The same melody with different rhythm)
    Composer: ISAAC, Heinrich
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  37. Missa Ferialis-Agnus Dei (Imitative beginning)
    Composer: MARTINI, Johannes
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  38. Factor orbis (motet) (Short imitations I)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  39. Missa La mort de Saint Gothard-Kyrie (Short imitations II)
    Composer:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  40. Missa Ecce ancilla Domini-Agnus Dei (A long imitative section)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  41. Missa Ave Regina caelorum-Credo (Short imitations at the unison and at the octave)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  42. Missa L'homme arme-Agnus Dei (Imitation with transposed motifs)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  43. Missa Beata viscera-Credo ("Shadow"-imitation)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  44. Missa Beata viscera-Credo (Imitation and sequence)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  45. Missa La sol fa re mi-Sanctus (Transposed repetition of a motif)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  46. Missa La sol fa re mi-Sanctus (Varied transpositions of a motif)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  47. Missa L'homme arme-Gloria (Canon at the unison)
    Composer: BUSNOYS, Antoine
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  48. Missa L'homme arme-Kyrie (a:Canon at the lower octave/b:Canon at the upper octave)
    Composer: BUSNOYS, Antoine
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  49. Missa Mater Patris-Kyrie (a:Canon/b:Canon and sequence/c:Canon with repetition of a motif)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  50. Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth)
    Composer: BRUMEL, Antoine
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  51. Missa Descendi in hortum-Agnus Dei (Canon at the upper fifth)
    Composer: BRUMEL, Antoine
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  52. Missa Ave Regina caelorum-Gloria (Canon at the upper octave)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment:
    Language 1: Latin
    Language 2:
    Duration:

  53. Missa Ave Regina caelorum-Gloria (Descending sequence as a canon)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  54. Missa Beata viscera-Gloria (Canon at the upper fifth)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  55. Missa Beawta viscera-Gloria (Ascending sequence as a canon)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  56. Missa Dominicalis-Gloria (Plainsong melody as a canon I)
    Composer: MARTINI, Johannes
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  57. Missa Dominicalis-Gloria (Plainsong melody as a canon II)
    Composer: MARTINI, Johannes
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  58. Missa Ecce ancilla Domini-Sanctus (Decreasing imitation ivtervals)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  59. Missa Ecce ancilla Domini-Credo (Imitation with complementary rhythms)
    Composer: DUFAY, Guillaume
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  60. Missa Petrus Apostolus-Kyrie (Mensuration canon at the fifth)
    Composer: OBRECHT, Jacob
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  61. Missa L'homme arme-Sanctus (Mensuration canon at the unison)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  62. Missa L'homme arme-Sanctus (Mensuration canon at the unison)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  63. Missa L'homme arme-Sanctus (Mensuration canon at the unison)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  64. Missa Ecce ancilla Domini-Credo (Different possibilities of imitation)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  65. Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth)
    Composer: BRUMEL, Antoine
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  66. Missa Malheur me bat-Gloria (Imitatio with syncopation)
    Composer: AGRICOLA, Alexander
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  67. Vasilissa ergo gaude (The introductory canon section of an isorhythmic motet)
    Composer: DUFAY, Guillaume
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  68. Missa Beata viscera-Agnus Dei (A long canon at the fifth)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  69. Missa Adieu mes amours-Kyrie (Sequence as an augmented canon)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  70. Missa Sancti Jacobi-Kyrie (Crossing of parts)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  71. Missa Cancti Jacobi-Gloria (Crossing of pars with pauses)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  72. Missa Sancti Jacobi-Sanctus (Variable metre)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  73. Missa Sancti Jacobi-Agnus Dei (Accumulated syncopation)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  74. Missa Ave Regina caelorum-Kyrie (Free counterpoint with internal imitationsI)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  75. Missa Ave Regina caelorum-Gloria (Free counterpoint with internal imitations II)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  76. Missa Ave Regina caelorum-Gloria (Imitation at changing metre)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  77. Ave Regina caelorum (motet) (The same melody with different counterparts I)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  78. Missa Caput-Sanctus (The same melody with different counterparts II)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  79. Missa O lumen ecclesiae-Kyrie (The same melody in different movements I)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  80. Missa O lumen ecclesiae-Gloria (The same melody in different movements II)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  81. Missa O lumen ecclesiae-Credo (The same melody in different movements III)
    Composer: OBRECHT, Jacob
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  82. Missa Se la face ay pale-Kyrie (Parallel and contrary motion with syncopation)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  83. Missa Se la face ay pale-Gloria (The head-motif of the mass)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  84. Missa Se la face ay pale-Credo (The head-motif with imitation)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  85. Missa Se la face ay pale-Sanctus (Complementary rhythms)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  86. Missa Se la face ay pale-Agnus Dei (Free counterpoint and imitation)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  87. Sanctus-Ave verum corpus (tropus) (Dialogue of equal parts)
    Composer: DUFAY, Guillaume
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  88. Missa Caput-Kyrie (Free counterpoint with syncopation)
    Composer:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  89. Missa Caput-Kyrie (Mass movements with the same beginning I)
    Composer:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  90. Missa Caput-Gloria (Mass movements with the same beginning II)
    Composer:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  91. Miss Caput-Sanctus (Mass movements with the same beginning III)
    Composer:
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  92. Missa Caput-Sanctus (Mass movements with the same beginning IV)
    Composer:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  93. Missa Caput-Agnus Dei (Mass movemn\ents with the same beginning V)
    Composer:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  94. Missa L'homme arme-Sanctus (Imitation at changing metre)
    Composer: DUFAY, Guillaume
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  95. Magnificat (Imitation and sequence)
    Composer: COMPERE, Loyset
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  96. Miss La mort de Saint Gothard-Gloria (Canon and imitation)
    Composer:
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  97. Missa La mort de Saint Gothard-Sanctus (Short imitated motifs I)
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    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  98. Missa La mort de Saint Gothard-Sanctus (Short imitated motifs II)
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  99. Missa de Sancto Donatiano-Credo (Imitation and counterpoint)
    Composer: OBRECHT, Jacob
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  100. Missa de Sancto Donatiano-Agnus Dei (Imitation and sequence)
    Composer: OBRECHT, Jacob
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  101. Psalmus 148:Laudate Dominum de caelis ("Shadow"-canon)
    Composer: BRUMEL, Antoine
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  102. Missa Mater Patris-Sanctus (Canon and sequence)
    Composer: Josquin des Prez
    Arranger:
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    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  103. Missa Mater Patris-Agnus Dei (Canon with scales and octave leaps)
    Composer: Josquin des Prez
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  104. Missa In myne Zyn-Agnus Dei (Small note values)
    Composer: AGRICOLA, Alexander
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  105. Benedictus (Virtuosic sections of imitation)
    Composer: BRUMEL, Antoine
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  106. Benedictus("Fuga ex una") (Canon)
    Composer: BRUMEL, Antoine
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  107. Alma Redemptoris Mater (Accumulated syncopes)
    Composer: DUNSTABLE, John
    Arranger:
    Artist:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  108. Alma Redemptoris Mater (Virtuosic upper part)
    Composer: POWER, Leonel
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  109. Salve Regina (motet/tropus I)
    Composer: POWER, Leonel
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

  110. Salve Regina (motet/tropus II)
    Composer: POWER, Leonel
    Arranger:
    Artist:
    Author of the text:
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    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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  111. Salve Regina (motet/tropus III)
    Composer: POWER, Leonel
    Arranger:
    Artist:
    Author of the text:
    Text arranger:
    Tonality:
    Type of Choir: 2
    Voicing: SA
    Accompaniment: A Cappella
    Language 1: Latin
    Language 2:
    Duration:

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